BOOK OF THE MONTH

AN ACTOR PREPARES by Constantin Stanislavski

An Actor Prepares is simply one of the most essential books that anyone considering a career as a serious actor could possibly own. There are lessons to be found in this book that will serve you well not only on your journey through the often strange and sometimes wonderful world of the theater, but also on your journey as an actor. An Actor Prepares is written in an easily accesible and conversational style that is often laugh out loud funny even when it provides startling insight in the human condition.

Audition. A formally arranged session (usually by appointment through an agent) for an actor to display his or her talents when seeking a role in an upcoming production of a play, film or television project.

Back to One! The verbal cue for performers to return to the mark where they started the scene.

Best Boy. The assistant to the Chief Electrician, or Head Gaffer.

Blocking. The actual physical movements by performers in any scene. Also can refer to the movements of the camera.

Booking. A firm commitment to a performer to do a specific job.

Blue Screen. Shooting in a studio against a large blue or green backdrop, which allows a background to be superimposed later on the final image.

Callback. A second audition where an actor is either presented to the producer and director or, in the case of commercials, is filmed on tape again for final consideration.

Cold Reading. Delivering a speech or acting a scene at an audition without having read it beforehand.

Monologue. A speech used by an actor to demonstrate his or her ability at an audition.

Sides. Designated scenes pulled out of an entire script to be used for auditions.

Slate. The act of stating your name and agency on a commercial audition while being videotaped.

WHAT IS AN AGENT?

An agent is an actor's representative. Once an agent Represents you, you are his or her "client." They will submit you for roles and try to get you seen by casting directors. They will take 10% union - 20 % non-union and print work, of your gross pay once you book a job. They will negotiate your fees and your contracts, and are your greatest professional advocate.Agents represent lots and lots of wonderful actors. They're busy, and they may not even be looking for new clients. Getting any agent is hard enough, so how do you go about getting a great one?

The most basic way to approach agents or managers in your entertainment career is of course the mailed-in submission, which consists of a cover letter, résumé, and headshot(s). You may also include a reel, if you have one. When it comes to assembling your packet, it's generally best to keep things simple. After all, agents and managers have seen every gimmick in the book - from food to party favors - and these gimmicks usually end up in the trash. But if you're in a play or showcase that spotlights your talent particularly well, invite reps to see you.

How important are franchised agents? Very! A talent agent can be an actor’s greatest ally, strongest supporter and best business partner. Franchised agents place the interests of their actor clients above their own. They do more than just seek out work opportunities for their clients. They also make sure actors are paid a decent wage, assist the actor negotiate and sign union contracts and help make the workplace a safe environment. Choosing a franchised talent agent is one of the most important choices a performer can ever make.

Acting in Columbus Newsletter | May 2009

BOOK OF THE MONTH

WELCOME TO ACTING IN COLUMBUS

WHY ACTING IN COLUMBUS?

PHOTO: TAMARA A.

PRIVATE COACHING / AUDITION PREPARATION

PHOTO: JOHN B.

TERMS TO KNOW

HOW TO GET AN AGENT

WHAT IS AN AGENT?

PHOTO: LEANNE P.

PHOTO: KENYATTA F.

PHOTO: DREW H.

VISIT OUR WEBSITE FOR MORE INFORMATION